For the author, music creation is a way of being, a way to grasp the enigma that surrounds life. Another connection to the title.
Transformed into sound that partly questions our perception, the music puts us in a specific state related to the time and
circumstances of the creation process. Like a still life, a photograph or a painting that captures the moment, it makes a sound
imprint of that particular period of time, which then becomes timeless.
Similar to Viktor's first album Motions in circuits
soft-synths and acoustic instruments sample libraries correlate. As this work
was done during the confinement due to the Covid-19 crisis in 2020 (the whole album was recorded in just a week), all of the work
was done on a computer and all the parts were played through midi controllers and recorded in Ableton Live, leaning upon the
sampling work of renowned companies including Spitfire Audio, Soniccouture, U-He, TAL Software, XLN Audio, discoDSP and Arturia.
All the synthesizer sounds were designed by the author using digitalized versions of analog synthesizers, processed in various
effect chains.
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